I’m going to try an experiment I’m calling “Photo of the Day,” wherein I post a photo I’ve come across and fallen in love with. I’m hoping it stimulates my not leaving this blog idle for so long. It will only work, however, if people view the photo and the brief blurb on its background.…
In 1977, Winogrand was invited by photographer and professor Geoff Winningham to speak with students at Rice University in Houston. The video of the event, below, was produced by the National Gallery of Art in conjunction with the exhibition Garry Winogrand, organized by the National Gallery of Art, Washington, and the San Francisco Museum of…
I’m a street photographer at my core, so what do flowers have to do with shooting street, you might ask? For me the definition between a street photographer and a photographer are marginal, and so it becomes more a question of shooting technique than it is about style or genre. Life is unfolding and happening…
Art & Portraiture, & Other In making a selection of the “Best of” anything, two criteria come to mind. First, one should consider the longevity and consistency of the work. A hall of fame, so to speak, should examine whether the body of work produced was substantial enough to warrant such acclaim. Secondly, one must…
In honor of Women’s History Month, we’ve put together a listing of the top female street photographers in History. Some of these have been profiled before, others are being listed for the first time. We hope you check them out. More about these ladies can be found via Google and other such things. We’re late…
Robert Frank (Switzerland / USA) – 1924 to Present I come to profile Robert Frank, not to praise him. With apologies to Shakespeare, that subtle but important distinction is one the reader needs to understand. To this point, with the exception of some shooters whose contributions to street photography have been exaggerated (e.g. Henri Cartier-Bresson),…
Part Four of my series The Art of Street Photography, which forms Track B of mine and Bill’s continuing joint series The Art and History of Street Photography, will begin to focus on the interpretation of a photographic image. In this article I aim to introduce the concept of a visual narrative and the way…
Of all the photographs I have taken over the years, some of my most prized are the ones that capture moments and details of everyday life that are in their own small, mundane way an intimate self-portrait. A cache of memories with a strong sense of temporality. Photography is my temple, my personal church…
People still ask me why I shoot street, why I take photos of people I don’t know — of events few will remember and places that are seemingly nondescript. I take them because someone knows them, because few might otherwise remember, because nothing is nondescript.
The Artists' Sanctum 