The Fallacy of the Defining Moment

One of the things that pains Maria and me is the number of people who are enamored with a single shot by Henri Cartier-Bresson (“Behind the Gare Saint Lazare“). You know the one, the “Defining Moment” shot. But here’s the thing: it’s a shitty photo. It’s underexposed, details are lost because of the lack of…

Days of Art – #40: Musicals

On this day, 12 March, in 1857, Giuseppe Verdi’s opera, “Simon Boccanegra” opened in Venice, Italy. One hundred thirty years later, on 12 March 1987, “Les Miserables” opened on Broadway in New York for its first of over 4000 performances. Only another 100 years or so will judge which is the greater work. As for…

Days of Art #39: I Cannot Dizzle upon Mah Toes

I cannot dizzle upon mah Toes by Emily Cold-Ass Dickinson and Gizzoogle.net I cannot dizzle upon mah Toes– No Man instructed mah crazy ass– But oftentimes, among mah mind, A Glee possesseth me, That had I Ballet knowledge– Would put itself abroad In Pirouette ta blanch a Troupe– Or lay a Prima, mad, And though…

International Womens’ Day: “All I Do”

Today’s Musical Minute: Did you know that “All I Do,” written and popularized by Stevie Wonder was originally recorded by the late, great Tammi Terrell? In 1966, then-sixteen year old Stevie helped write the song, and Tammi recorded it. Berry Gordy wanted Diana Ross and the Supremes to record the song, but Stevie wanted Tammi.…

Track A: History of Street Photography, Part 4

Index Part 3 Part 4 – The Transitional Epoch By the time the Foundational Epoch ended, shutterbugs had firmly established photography as an art form. Whether their primary intention was in proving the technology (a la Daguerre), displaying life on the streets (Stieglitz, Atget, Thomson), moving viewers toward social change (Riis, Hine), or simply having…